(The Way of La Toabey) Primordial Tradition in The Flower Dragon Masters🌹🌹GOLD Hermetic-Alchem

The Dragon Masters of the Hermetic-Alchemical GOLD Flower in the Primordial Tradition: Masters of THE FLOWER🌹 OF GOLD '' The GOLD Flower is the Light, and the Light of Heaven is TAO ... '' reveal the Secret of The GOLD Flower of the Great ONE '' (CG Jung and R. Wilhelm, THE SECRET OF THE FLOWER🌹OF GOLD) '' Those Who Know Do Not Speak. Those Who Speak Don't Know '' (Lao Tzu) Victor. A. Cabello. Reyes CR +🌹 The Dragon Masters of the Golden Flower, are an Ancestral and Millennial Brotherhood and Fraternity of light, who dominate the forms of the energetic Flow of the Great cyclic Uroboros and Dragon of the Cosmos. It is the Foundation of the Celestial Jade Dragon Dance. Daoyin or movement that guides the alchemical Serpentine-Draconic Flow; towards the alchemical purification of the Jade Heart and concordant with the Light of Heaven-Heart of Heaven. La FLOR germ substance purifying and gentle perfume 🌹OF GOLD. Therefore, it is probable that there is an essence of the whole = Arche-Azoth, which flows in endless spirals as the starting point of the ALL =. Wet and mercurial basic substance trapped in the Sulfurous Fire Sphere of the Flowery Dragon's Mouth and Ouroboros (Olympiodorus in Codex Marciannus, Library of Venice) The Mysterium is to "suffocate the alchemical Dragon". It is in the germinal vesicle is the essence or consciousness = sing and the "life" = ming (Secret of the Golden Flower, 41). The Flowery Masters recommend: '' Unless the head has integrated the Dragon's Tail, All Substance is Nothing. Take the Dragon's Head; but watch out for the tail '' `` Le Serpent ou Dragon qui se mord la queue (ouroboros) est plus significatif encore: c'est le symbole de L'oeuvre, qui n'a neither commencement nor fin ''. (Manuscript: Ms 2. 250, Fol. 45. Marcelin Berthelot, Les Origines De L 'Alchimie, Paris, 1885, pp58-59,114). In ancient Sumer the sacred and enigmatic huluppu tree grew vigorously on the banks of the Euphrates before receiving the influences of the bad winds from the south and being rescued by the good heart of the goddess Inanna. The queen of heaven and the Venusian tutelary goddess of Uruk. In a single language and with the powerful theurgic breath of his voice and sacred words, the god Enlil-god of the wind- manages to evoke the birth of the sacred tree. Curiously, at the center of everything is the Dilmun or paradise. Now it is that place where the sun rises and where there is also the sacred tree and there are the eight sacred plants of Ninhursag. Indeed, these plants contain the sustenance of the "food of life" and possess the essence and quality of immortality; Gilgamesh sought so much. On the other hand, it is only possible to obtain it - essence of immortality - who manages to possess the Dragon's claw and foot. In any case, only that mystical initiate who manages to transform and purify himself through a rigorous process of internal alchemy and mystical initiatory death. It is an arduous solar journey and path of the solar heroes of rigorous and careful transformation of the soul in which his initiatory hand becomes claw or "dragon's hand" and his foot becomes "dragon's foot." The Initiatic Claw of the Jaguar or the initiatory tiger to lift the Master. And indeed it is Gilgamesh's initiation journey for Utanapishtim or Ziusudra to teach him the Secret of Eternal Life. The myth-anthropology of ancient and ancient China has reached us in an impoverished state, both in its most traditional sources, and in its main historical and reconstructive attempts among multiple documentary-archaeological and thematic fragments. The First Dynasty of the Hsia, subtly hides remotely hidden and almost lost, between the whims of Chinese historians and moralists. They could not see, much less delve into, those stories and documents. Since they understood that they were too many fantastic, magical and wonderful or not truthful. Disregarding and thus rejecting the valuable and complex ancient stories. We see, the great and currently reconsidered Shu-King, the one that tells Legends of the Lineage of Sages; Like the lineage of the Ancient Sage-Old Yao, and its spiritual receiver or the 'receiver' of the Sacred Tradition, Shun. Divinities of the Sacred Dragon, who incarnate in historical figures of the ancient tradition, among the Five Sacred Mountains = (Heng-chan, Song-kao, Hua-chan, T'ai-chan and Heng-chan). It is part of that rich spiritual legacy that was left hidden and guarded by the so-called Original Wise Kings Dragons, whose historical tradition is evident, between the end of the fourth to the third millennium. The Ancient Masters were subtle, Mysterious, Profound and Sensitive. The depth of his knowledge is unfathomable. Since it is unfathomable, the only thing we can do is describe its appearance '' (TAO Book) It is the Lion Dance = Purification for the Heart by generating The Pearl of Energy. Qui-Chi = Form-Energy-Mind = Three Treasures of the Dragonmasters. Chinese Alchemy = lien Tan = Pill of Transformation. Currently, incipient Chinese archeology is busily searching for firm, solid and forceful evidence that can shed new light on the enigmatic dynasty; Hsia (2205-1776 BC ??). Although we can say that there is recent evidence, and still fundamental studies of 'archaeological' documents that we can go back to the 5th and 6th millennia BC. After 1776 BC, the matter will be verifiable, and perhaps thus we can touch solid wood. Chinese bamboo! The Wise Man-the one who contemplates the Cosmos and who within him identifies with Him; He is the one who prepares and enables himself to be able to correctly walk the Path or Path of the Celestial Dragon. He is a True Nauta Celeste. They are the arrived Masters who come down from the mountains (Plateau of Tibet), and who - gradually - originally enter 'carrying the wrappings' of the Wisdom of the Sacred Bird and Dragon. The wise astrologers-astronomers-mathematicians who according to ancient tradition were four brothers Ho and Hi. Tóati of the Wisdom of the Dragon and the Sacred Turtle. '' If You Regulate Your Body and Unify Your Attention; The Harmony of Heaven Will Descend You '' (Lin Yutang) Extremely rigorous observers of the cycles of constant becoming in the Celestial Dragon Spiral. They knew what in remote times was told from generation to generation that had happened in the Sacred Mountain of the Turtle from where the Yellow Monarch and the Sages had to face the Great Firestorm. We follow the ritual Epiphany of consecration on the Holy Mountain. And the hunter of the moon, in the Heavens intends to steal the elixir, the divine Wai-Tan. But; it is transformed into a frog, and then the 'rabbit'-hare, Magically prepares on the lunar disk; The Sacred Elixir = Wai Tan = outer elixir and Nei Tan = Internal Elixir. Mircea Eliade, regarding these influences of Chinese Prehistory: "It is equally plausible that protohistoric China received numerous cultural elements of western origin, spread throughout Siberia and the steppes of Central Asia" (History of Religious Beliefs , II). The documentary evidence and the traditions of the villages take us to the Dragon Lords of La Flor de ORO Chanes. Chang Ti, is lord of the High and Ti = is the computer of the cosmic cycles and the atmospheric phenomena. So, in the Sacred Magical Time of Yao ... The Giant P'an Ku emerges from the original duality of the Primordial Egg of the Cosmic Turtle. Its head resembles a 'Sacred Peak' of the beautiful Cosmic Feathered Green Bird to which its luminous eyes shine = Sun and Moon. The cosmic tree-Kien-Mu, will be the central place where the Sacred Green Bird-Green Dragon sits. Sacred tree, which unites the upper and lower regions in its trunk. Heaven and Earth = Yang and Yin. Sacred Waters of the Dragon Gate! Millennial fight against the cosmic monster Kong-kong, water-earth-air-fire. The most recent archaeological discoveries of the site of Siao T'uen, throw a new and rich evidence, voluminous in inscriptions and in archaic characters, written on "Turtle shells". By the Wisdom of the Turtle Shell accounts, the Chinese sages had a complex system of astronomical-astrological-calendrical and divination accounts. In the biblical book of Jeremiah there is a verse that for many is a reason for meditation and analysis. This verse says thus: “Nebuchadnezzar king of Babylon has devoured me, has crushed me. It left me like an empty glass; I swallow like a Dragon, he filled his belly with the best of me, and he expelled me ” (Jeremiah 51:34). Fabulous animals have been an integral part of all rich literature since the beginning of the fascinating tales of the warrior human fauna. The Golden Ass (Apuleius), late example of fertile imagination potentially recreated in the inhospitable substrates of the antipodes of the collective unconscious. Drakos-Draco-Drakón = the majestic Dragon Serpent. Monster and fruitful power that through the millennia accompanies us in the "Velloncina task" of the arduous journey towards self-realization within the dusty trunks of the inner being. With her striking red eyes and her tongue of viperine sparks of draconic fire, she indicates that her magic lies in empowering or experiencing the power of that unspeakable 'something' that potentially underlies, in the sources guarded by the Draconian Serpent. Dragon-keeper par excellence who looks hungry. Or, better, the Greeks called their fiery gaze of the spirit the 'derkesthai' = to look or take fleeting glances. The cosmological guardian and repeater of the cycle, Cosmogonic Principle is the Uroboros - The ONE, THE ALL -, which bites its tail and teaches us the cyclical renewal of the Whole. The alchemical operation that proceeds from the One and that returns to the One. Listen well! When 'Tzab'-the tail of the Ahaw- appears, it indicates that the change is near. The ancient Greek alchemists stated categorically: "Unless the head has integrated the tail, all the substance is Nothing." Beginning and end of the Cosmos The same Thing. There is no beginning as there is no end. Dragon-I'tz, as an alchemical principle and inseparable companion of the Magnum Opus. I'tz, morpheme that is related to the wisdom, the knowledge and knowledge, the magic power of the dreamy Way. He is the one who according to the Mayan Cosmos: "... He who has and exercises hidden power in the water" (David Freidel, L. Schele and J.Parker; Mayan Cosmos page 409). Faithful inseparable companion of warlike humanity in all its battles between the endless and cyclical antagonistic bipolar struggle between 'good and evil' ... the good and the bad. "And the great dragon, the ancient serpent, who is called Devil and Satan, was cast out ..." (Revelation 12: 7-9). Principle of the underground kingdom, guardian of the underworld and winged principle of the bird-dragon - I'tzamna- Cosmic = Celestial Dragon Itzamná = (according to: Mercedes De La Garza, 2002, p.63) (Codex Dresden 74 (54) according to J. Eric, S. Thompson). Eric Thompson calls them lightning monsters and assigns them certain astronomical functions related to the 'celestial bands of his body', (similar to the opinion of the wise E. Forstemann) and to the very clear characteristics of the celestial-terrestrial deer (p. 261, Comments to Dresden). For the scholar and researcher of the Mayan culture Dr. Mercedes De La Garza: '' Above this double-headed serpent is another, whose flexible body is made up of Yax glyphs, alternated with jade beads on the lower part of the tombstone, constituting the base of this Cross-Serpent, there is a two-headed Dragon ... '' (Mercedes de La Garza and Martha Ilia Nájera, Religión Maya, Madrid, 2008, pp25.69) ... '' Gucumatz (Quetzal Serpent), dragon, symbol of primeval water '' (p.57) The researcher refers to the mistranslated concept of the Ahaw = Dragon. And he recognizes the face of Ek Balam as '' a dragon '' and '' Temple-Dragon - Maya (De La Garza, p.79 and 93). Ahaw is also the various manifestations and personifications of the cosmic dragon or serpent epigraphic zoolatry. The great saurian that has taken us so long to approach him correctly in its complex astro-alchemical, epitome and epilogue, encoded symbolism of Earth's cosmic change. That great draconian serpent Ahau has in its body rich and significant astronomical motifs and I´tz Cosmic substance and sends from its mouth communicating in wisdom in its particular celestial glyphic band. They all indicate to us that change comes from heaven, and that it is all a divine act of the Great Alchemist, Sovereign Cosmic Mother of the Ahaw. Therefore, in ancient medieval iconography the two points of intersection of the ecliptic and the lunar orbit are called Dragon points or lunar knots and in the Dresden Codex (p. 74) under the mentioned glyphs we properly observe lunar eclipse and eclipse Sun. The head of the dragon Ajau plays an extraordinary role - very little studied - in the calendrical making, as well as its tail or jingle bells since these were used to calculate the chronograph of eclipses and macro-cosmic changes. This is what Dresden indicates. The wise Flowery Master Athanasius Kircher, offers information in his famous calculation table of lunar and solar eclipses (Ars Magna Lucis, Amsterdam, 1671), the best example, where is the Mighty Celestial Dragon, the one who enters zodiac signs and in himself body, indicates-similar to Dresden-, the phenomena of eclipses. In alchemy this dragon is Mercury and as a philosophical mercury and a mysterious substance it produces the great change. Master Solomon Trismosin (Splendor Solis, London, 16th century) adds that Mercury stokes the fire in the flask and it is the Dragon himself of the cosmic raw material, who is nourished, for the Great Change of the spirit of things and Universal Spirit. Ireneo Philalethe, warns that to be accessible the treasure kept by the Green Dragon, we must be Pure as children. Ouroboros is change, constant movement and transformation. As a mercurial fluid and a glowing liquid immersed in the rays of Tlalóc, that is why, in Teotihuacán, in the temple of Quetzalcóatl the snake is associated with water and corn as well as the Flowering Dragon. (Mercedes de La Garza, The Sacred Universe of the Serpent among the Mayans). This hermaphrodite material is Ajau and circulates in constant and permanent serpentine spiral phases (Ouroboros), very faithfully following the loads of the zodiacal signs. The Master Basilio Valentin, who Fulcanelli expresses himself as its true initiator, assigned a symbolic key to each procedural alchemical state, since it is only necessary to follow the sensible and very sensitive course of nature. The Ancient Stone that comes to us from heaven, for the health and comfort of men and on which the truth rests, brother Basilio Valentín wisely argued (The Twelve Keys to Philosophy, pp. 5 and 6). The Astral Seed (male and female) has and contains the spermatic form of the I'tz Alchemical Dragon and is associated with the birth and opening of a new energy based on planetary transit, especially in Bolon Yokteil. We must then listen within us to the “sound of the rattle or maraca” brothers, since when the bell rattles, he warns us of the cosmic manifestation of the Tsab or of the astronomical cosmic call of the bells of the Ahau… Ahaw is also the various manifestations and personifications of the cosmic dragon or serpent epigraphic zoolatry. The great saurian that has taken us so long to approach him correctly in its complex astro-alchemical, epitome and epilogue, encoded symbolism of Earth's cosmic change. That great draconian serpent Ahau has in its body rich and significant astronomical motifs and I´tz Cosmic substance and sends from its mouth communicating in wisdom in its particular celestial glyphic band. They all indicate that change comes from heaven, and that it is all a divine act of the Great Alchemist, Sovereign Cosmic Mother of the Ahaw. Therefore, in the ancient medieval iconography the two points of intersection of the ecliptic and the lunar orbit are called Dragon points or Moon knots and in the Dresden Codex (p. 74) under the mentioned glyphs we properly observe lunar eclipse and eclipse Sun. Sumerian literature teaches about the endless struggle between the primordial celestial waters of the Cosmological Ocean. They periodically open and close due to the draconic power over the gates of the Apsu = Primordial Ocean. Kur = Dragon of the primordial waters and from which the sparks of the celestial fire come out, the AN-BAR. In Egyptian literature the draconic 'Ker' Ouroboros is crowned with powerful stones and has wings as elements of Solar resurrection, with evident signs of the elements fire, air, earth, water and the dragon bites its tail (Eleazar, Uraltes chymisches Werk , Leipzig (1760), Part II, Nos. 4 and 3. Col. Mellon, Bib. Uni. Yale). Ker or Aker in the famous book of the Caverns - book of the dead in its Egyptian variation - stands out to be, the custodian of the entrance to the underworld. I'tz is vital substance, milk or juice. Celestial dew as the Draconic-Mercurial wet principle, the wet basic substance or the basic matter originating from the starting point of the Principle of ALL = Arché. AZOTH = Green Jade Stone and Sky Dew = B'ulha-Caan Nojoh Ahaw Caan Alchemical aqueous Primordial Substance: Maternal-Paternal and Celestial Fire Sphere. Marie Louise Von Franz discloses: “The word <> in Greek is theios, which also means sulfur, so it can be translated as divine water ..., or sulfur water, since sulfur was considered a divine substance. It is water, the liquid of the divine substance (Alchemy p. 148). The Mysterium Coniunctionis that Jung dedicated to sulfur as an active part of the psyche and a very important component of alchemical work. The Dragon-sulfurous-serpent of life flows between the opposite principles between the primitive antagonistic forces of the masculine + solar-sulfur and feminine-mercurial lunar. Three Dragons guard the Square courtyard of the Louvre - Paris (Bernard Roger, The secret enigmas of alchemy p. 248). Those Primordial Waters, periodic and cyclical and endlessly open towards Infinity. They are the Gates of the Apsu-Primordial Ocean and are placed in the Hands of the Groundwater Dragon-KUR. Dragon of the "opposite principles of the endless fight", between the END OF THE WORLD and the New Dawn of Light. Guardian of the Temple of the Goddess of Hell, hades, scheol-KUR. Ereshkigal, is the Goddess who resides in the Temple of Lapis Lazuli of the 7 Gates of Precious Stones. (We can notice in the Dresden Codex p. 75 (54) edition, J. Eric S. Thompson there is seen hanging the Dragon I'tzam with the primordial Waters as a Flood). It is important to point out in the Codex Peresiano is where the Primordial Waters are sent to the earth as "water from Heaven" ... rainwater or rain, according to Eng. Luis Azcue y Mancera (Codex Peresiano pp. 125 and 126). An interesting fact is confirmed by the Codex Pérez: '' Bolon Ti 'K'uuj, I believe, made the Great Dragon and Lizard Monster appear to end the living beings of the world, when the sky sank, and the Petén sank ; when Oxlajun Ti 'K'uuj began to sound, when there was a very large cataclysm, when the monstrous lizard arose, which happened at the end of a series of K'atunes, with a flood the times will end ... He mercilessly buried the bad sons and daughters ... buried them among the waves of the sea. An avalanche of water came. '' The Paxil-Cayalá, when the waters melt. Everything is cyclical, Draconic OUROBOROS without Beginning or End! Already since 1862, the existence of Tablet XI, where the Epic of Gilgamesh is narrated, is known by the discovery of George Smith (British Museum). It is here, through a version of "older" versions, that the Sumerian Flood is known. A great flood that the merciful and wise god Enki, The Lord of the Primordial Waters, warns King Ziusudra of Shuruppak, who ruled according to Tradition 36,000 years ago. The Babylonians are the depositaries of the Sumerian tradition, they will call it in Cuneiform script: Utnapishtim; Later the Hebrews will know him as Noah. Then a god appears who says he will save humanity from the Flood: "To my humanity, in its destruction, I will re ... I will send people to their facilities." Then the Ziusudra, the origin of the Sumerian Noah, resurfaces, and he is notified by the god to build a boat to free them from destruction. The text follows: “... a Flood is going to flood the centers of worship. To destroy the seed of mankind "... Ziusudra builds the immense ship and then ..." All storms, of extraordinary violence, were unleashed at the same time. '' Sir Leonard Wooley was very sure that prior to that Flood the Sumerian cities were already standing ”,… a time not later than the Royal Tombs, we find the ruins of THE UR THAT EXISTED before the flood. (Sir Leonard Wooley: Ur, City of the Chaldeans). The same happened with the Temple of the Divine Isthar-Eanna that is rebuilt until Cyrus and the Seleucids. By building temple upon temple, the space-time continuity and the Macro-micro flow of what is Eternal-Space Cosmic Model, Pyramid-Ziggurat-Spiral-Sky-Earth are indicated. Already in the Enuma Elish, the Babylonian tradition will collect the Sumerian Myths and the planetary Order, days of creation, days of the week; whose influence the Hebrews will masterfully receive and adapt in the Divine Menorah-Seven Arms-Seven Planets Sacred Chandelier, from the Sumerian-Babylonian-ancient-days-of-the-week Knowledge. Also the Serpentine Solar cult, is the foundation of the Wisdom of the Sumerian People. Gilgamesh seeks Immortality, that potentially possible Eternal principle, but his feat is impossible since the Serpent steals and eats the Plant = Rose🌹 Sacred of Eternal Life. The legend mentions: “A serpent sniffed The Fragrance Of The Plant; He got out of the water and snatched the plant. When he retired (Caput Zihil) he changed his skin. The Flower + Plant is said to have been held (pricked) by Gilgamesh's hands. Rose-🌹Purple. The same text stands out- (incredibly): “His thorns will prick your hands Like The Rose. If your hands get the plant, (you will find new life) ”. La Rosa coincidence? Possibly one of the first written manifestations of the initiatory tradition of the '' Purple Flower ''! (Gilgamesh pricks his hands and bleeds the flower, turning its color into Purple-Chermes- (Arabic-Kermes-Purpura-, Latin-Carmesinus). Later the medical traditions will receive the teachings of Ningishzida, the double-headed serpent that will be the Patron of the Doctors and the goddess Ninib, goddess of health. This tradition will be received by the Egyptians and Greeks in the temples of Thoth-Hermes, along with their Caduceo Salutifero-Rod of Moses. Also Sofroniana Thaumaturgy (Somnia Deo Missa) and cults to Asclepios (Aesculapius), will have this Serpentine Oniric medicine, as 'Remedy and Panacea'. The primordial waters were contained in two antagonistic Universal principles, but at the same time unified. Tiamat = Dragon-female principle-saltwater, APSU-male principle-freshwater. Ouroboros = dragon that swallows or gives up🌹catches its tail (Carl. G.Jung, Paracélsica, p.66). Both antagonistic principles create a vibrating spiral dialectical force, which produces the energetic vortex of the universe, without beginning or end. The serpent of immortality potentially residing in the Rose of Gilgamesh's initiatory journey. The An-Bar would be the Celestial Sumerian Fire, whose origin will be the root of the Al-Ambix-alembic still of the Atha-Nor or Alchemical Furnace of the Arab tradition. The alchemical papyri of Physica Kai Mystika are based on 'distiller principles' of the power of the Metal Forge and Precious Stones (Tabula Smaragdina-Esmeralda) (Mircea Eliade: Babylonian Cosmology and Alchemy). The serpent is the primordial Ocean, the chaos of the waters of the Celestial Sea; Babilou, is the Door of the God-the navel that unites us to the Cosmos-Babylon-Door of Heaven, Mount Sumer or Cosmic Mountain, by whose "axis" CROSS, the earth is unified with the Cosmos. CROSS OF HEAVEN. Therefore, the Semitic tradition gives rise to the Man of Paradise from the Center of four rivers = The Cross. Sacred Salamander! Guard the Serpentine Draco the original tree of ancient wisdom from the Biblical paradise of fallen Adam. Two (Ahaw) of them guard the right and left of the Yaaxche cosmic tree in the tomb of Ahaw Janaab 'Pakal De Palenque. Those who defeat the dragon are many; Indra, Zeus, Apollo and Siegfried are among them. Saint George, needless to say. Draco appears as custodian of the cave where a treasure is hidden or is the guardian of the castle where the beautiful princess is hidden. The ancient Tao (the Way) regards him as a 'hidden entity' capable of producing the elixir of immortality. The Dragon of the cave is also; Three-headed Dragon = sulfur-salt-mercury, as the Source and essence of the bipolarity of the Hermetic-Mercurial Lapis philosophorum. In China since ancient times it has been linked to yin water energies and to yang polarities as an active representation of the sky. As an imperial symbol, the sacred lineage of the Heavenly Dragon Lords is fundamental. They are the ones who confer the power of the mutations of returns where the Master of the GOLD Flower and Emperor possessed the Spirit of Heaven and Earth. '' Sit at the Top of the Thousand Hills without Moving from the crossroads '' (The Secret of La Flor🌹 Gold = Golden). (The Way of La Toabey) Primordial Tradition in The Flower Dragon Masters🌹🌹GOLD Hermetic-Alchem