(The Way of La Toabey) Alchemical Gnosis of The Masters of the Purple Rose (part 5-Pentalpha-

Alchemical Gnosis of The Masters of the Purple Rose (part 5 Pentalpha) Victor. A. Cabello. Reyes C.R.+🌹 ''O How You Have Fallen from Heaven, You the Shining, Son of Dawn.'' (Isaiah: 12:1) The oldest alchemical tradition of the Masters of The Rose🌹, has a Cursed and Celestial Origin as Theologia magica Christiana cabalista. This thesis reinforces those beautiful rebellious and sensual angelic spirits, who are part of the glorious body of God, in constant and quasi-eternal antagonistic struggle as a whole warrior body of gods who reveal themselves=(Genesis:6:1-4 and Psalm: 82); thus stop passively contemplating, the Fulgurose Face of God. (Matt.18:10) They decide... go down to seek and teach sexual pleasures. They grant us 'instead' deep and erudite practices of high theurgy that the Flowery Master and Benedictine Abbot Trithemius (1462-1516) receives, assimilates and encodes in his 'scriptorium monastic'=vera eruditio monastica-, and then transmits in the combinatorial structure of Arte=Steganographia, Flowery and numerical initiatory tradition of astrological-Pythagorean and kabbalistic crytography. But; they exchange Wisdom in return. We must point out that the medieval patristic vision was saturated with images of a universe populated by demons of all kinds and unimaginable forms. The Fathers of the church raised the problem of these rebellious angels within the context of a theurgic and astrological-alchemical magic practiced in the monasteries by the most learned and educated within the monastic Orders. For Lactancius, Hermes foreshadows the Way of Christ. St. Thomas Aquinas the Master of The Flower and alchemist defender of a natularis magic-, worked these ideas of the constant and eternal celestial struggle duality Good-Evil, astrological cosmogonic and dialectic =(De occultis peribus naturae). In this sense, differences and bitter disputes - sexual - arise manifest up there and, affecting all humanity, down here. The Original Man for the Flowery Masters was Androgynous. The Great Work is the restitution of the Lost and Innocent and Light Essence and the Inner Illumination, through the acquisition of the Light of Creation. A whole Universe of a Father-Mother=(divinitas utriusque naturae=divinity of two natures) Let us remember, terrestrial relations are ALL governed by celestial astrological destinies. They are not dependent on us. For the alchemist Zosimus of Panopolis; ''The Holy Scriptures say that there is a certain kind of demons that deal with women. Hermes tells us about them in his books on nature. The ancient and holy scriptures say that certain angels, enthralled with love for women, descended upon the Earth and them the natural works; and that is why they were expelled from the heaven of nature and condemned to perpetual exile. From the aforementioned trade was born the race of giants. The book in which the arts were taught is called CHYMA, hence the name applied to art par excellence''. (Marcelin Berthelot, Les Origines DE L'Alchimie, Georges Steinhel, Ëditeur, 1885, Paris, p.p. 9-10) The Original Alchemy has Celestial essence within the human macro spiritual framework. And, is that its origin is a cosmogonic-astrological problem between forces and energies = cosmic-astrological in constant dialectical and Ternary struggle. The Mirror of God is the same Body of angels in angelical-astrological distribution and, as the sky is dialectically fragmented, the angels come down. Alchemy is a matter of complex astrology and SACRAL cosmology, for the significance of a material-spiritual alchemy, elaborated from and thanks to the exact internal and astrological work, and within a cosmos-physiology-spiritual. Isis in his Discourse to Horus, comments on the Origin of the Alchemical Work of the Ancients which dates back to the lesson and Revelation of the angel Amnael about alchemical Wisdom as a 'reward' for his sexual surrender. ( Bibliotheca Nationale de París, fol. 256) The Masters of the alchemy of the Celestial Rose never deny the scholarly and academic documentation, moreover, it is used rigorously as a source of texts in medical and metallurgical matters of the ancients. But, we must go=(supra facultatem cognoscentis y, rei cognitae). The Ancient Alchemy of Alexandrian tradition is not the origin of Royal Art, only a glorious and fundamental stage of the ancient Egyptian tradition, where stone and hieroglyph still have much to tell us. Therefore, the original alchemy is the search for union of opposites=conjunction of opposites. Lost, because of the misuse of energy and recovery in the circulation of LIGHT-IGNEA, which is produced by means of the crystallization of the luminosity in the Body-Athanor so that the LIGHT sprouts and resurfaces then, the ELIXIR-Seed-Pearl-Celeste =GOLDEN FLOWER. ''The Son of Man must ascend from Earth to Heaven and ascend over the CROSS of the still... the STONE must be enclosed in a Vessel like Christ in the tomb.'' (Maestro Florido Arnau de Vilanova, The Book of Light) It is thanks to GNOSIS that the orifices of the Body and Rulers—personal astrological planets—can begin to shine. Through the influence of the stars all things are known and proceed in an appropriate way to the elaboration of a ''celestial agriculture'' perfect in time and space musical and astrological-theurgical. The Order of the Purple Rose and the Phoenix preserve the authentic manuscripts that for many centuries have been carefully preserved and copied in the Temples of Light Already before the Italian Renaissance, great artists, painters, sculptors, musicians, poets, architects and builders, had belonged to fraternities-guilds and brotherhoods where that "Hidden Knowledge" was jealously preserved. In the Order of St. Benedict, the monks of the Cluny reformed the architectural styles, this was just a lucid page within the process of Ancestral Knowledge that as an Ascending Spiral Scale continued almost without interruption for centuries. Together with the Citeaux-Cistercian and the Cluny they extend throughout Europe, a prelude to the Gothic. Ancient oral traditions refer to the Master Builder Gauzon, appears to the apostle St. Peter, giving him in a Vision the Plans of the temple of Cluny III. Centaurs and Phoenixes, lions, prophets and singers are intermingled in the Floral-Spiral motifs of the decoration of the Santes Creus. Architectural style carried by the nomadic brotherhoods of builders in that 'Coming and Going' to San Galgano, Fossanova or Casamari in Italy. Sacred Squadron, which was well recognized by the Master Architect of the thirteenth century, Villard de Honnecourt when exclaiming; "Vesci une glize D'Esquarie, ki fu esgardee a faire en L'ordene de Cistaus''=Behold a church with a square projected by the Order of the Cistercian. The Cistercian has a special predilection-devotion to the Virgin Mary-Female Divinity SOPHIA SACRA. Order that structures in a wise and ritualistic way its floral constructive forms. They are they, brothers of the Temple in their Castles of the Cross, crusaders masters of the Stone of the Phoenix= "Through this Stone the Phoenix is reduced to ashes... " ''By the power of the grail the Phoenix lives again." (Wolfram Von Eschenbach, Parsifal) Lapis lapsus ex caelis is the stone fallen from the sky among the symbols of builders. Rosette-rosette containing in themselves the action and spiral cyclic movement of the alchemical Fire that purifies the Phoenix. Six Petals or rosettes-rosettes reproduce the Seal of Solomon-Magen. Rosettes of the Cathedral of Saint-Jean, Cathedral of Rouen, Santa Chapelle. Or, in the fine Portal de la Vierge-Mere=mother virgin of the Cathedral of Amiens. Subsequently, the evolution forms develops and matures by carefully maintaining the Cross Vault Pattern and ribbed of the Euclidean-Vitruvian model. Cross in Chartres or in the Cathedral loved by Flamel, Notre-Dame de Paris. Cross in Reims (1211). Cross at Chartres (1194). Cross at Amiens (1220). Sunlight in Multicolored Prisms in La Sainte-Chapelle de Paris (1242-1248). Cyclic cross of Hendaye-Ocruxaves Pesunica-o crux abe spes unique-Cross that encloses the Mystery of the macrocosm-microcosm. Hope-Faith= only salvation. Phenomenon of Heaven and Man-Temple-Model-Geometric-Builder-Union-Square-Compass. (Melancholy of Albrecht Dürer in: The life and art of Albrecht Dürer; Erwing Panofsky, 2005) The initiated Abbot Suger of Saint-Denis, knew the Pentalpha-mathematical Pattern masterfully exposed in the Art of the Harmonic Game of Stained Glass Prisms. (The Art of the Italian Renaissance p. 116 by Rolf Toman) They are old seminal ideas (logoi spermatikoi) that the masters of the flower condense Solar Chromotherapy creating light waves of subtle vibration among the monks and visitors to the church. The symbolic painting also keeps the "treasures of the teaching'' received from the Ara Pacis-romano=(Altar of Peace) by the masters and priestesses of the temple to Apollo Sosianus with his sacred Swans (20 a.C.). The Swans revolved seven times around Delos... and they had not yet sung for the eighth time, when Apollo was born. " (Hymn to Delos, Calimachus) Leda's Swan that encloses the Mystery of the Magic and Sensuality of the Flower-Flower etymologically is Mother Earth-Female Divinity. The Spring of Sandro Boticelli (1478) is deeply influenced by the Currents of neo-pagan thought and multiple musical harmonic symbologies between the Flower-Flora-Roman with their corresponding Musical attributes= (Three-Gratias) Musicals that the Alkymia will periodically resume as the basis and foundation of the Flowery Awakening, its Royal Art. "Sacred Music drives away the melancholic and evil spirits''=inscribed among the musical instruments on the central table of H. Khunrath-Amphiteatrum Sapientiae Aeternae. (1604) Seven candles-lights of the ceiling chandelier=Pentalfa Five-Pointed Star on its Altar. Saturn is a symbol of Cross between astrological mathematical proportions and geometric coordinates, maximum expression of the celestial harmonic musical tone within a Pattern-5 (second degree) Pentalpha G, of knowledge immersed between the quadrilateral, arithmetic, geometry, astronomy and music. Essence of the harmony of the celestial spheres and constructive forms of the City of Flower and Essence. The Alchemist Masters of The Flower continue that incarnate Golden Chain through a rigorous and strict internal process of ascending 'solarizatione' and constant renewal of that inner Cosmos in Man=Magnum miraculum. ''Know, well Oh! My son, the most dilecto of my disciples! That the Sun, Moon and stars perpetually exert their influence on the center of the earth.'' (Nicholas Valois) (The Way of La Toabey) Alchemical Gnosis of The Masters of the Purple Rose (part 5-Pentalpha-