Arcane Geometry of THE ROSE=La Rosa

 

Arcane Geometry of THE ROSE=La Rosa

Víctor Arturo. Cabello Reyes....

The Pythagorean 'Lambda' is also the numerical value 1-2-4-8 and 3-9-27.

As the musical scale of world harmony for the floral master Francesco Giorgio.

The Monochord exposed by Dr. Robert Fludd (Rose+Cross), is the direct rationalization of the racial harmony of the universe that vibrates materially in the sublime mathematical forms of Radial-Solar-Numeral expression.

The lower states of 'melancholy' (Alberto Durero, Maestro Florido), represent the effect of this affective internalization as a consequence of the activation of a mathematical scale in minor octaves.

The Ancient Oral Traditions say that the Apostle Saint Peter appears to the Master Builder Gauzón, and gives him in a Vision the Sacred Geometry of the temple of Cluny III.

Centaurs and Phoenix Bird, lions, prophets and singers intermingle in the Floral-Spiral motifs of the decoration of the Santes Creus.

Style carried by the nomadic brotherhoods of builders in that 'Go and Come' to San Galgano, Fossanova or Casamari in Italy.

Sacred Square, how well the 13th century Master Architect Villard de Honnecourt, recognized when he exclaimed: "Vesci une glize D'Esquarie, ki fu esgardee a faire in L'ordene de Cistaus" = (Here is a square church designed by the Order of the Cister).

The Cister has a very special predilection for the Virgin Mary-Feminine Divinity.

The architectural legacy of cathedrals and Gothic Churches will preserve the millenary substrates of the master-, architects and masons who carved the 'raw stone', who knew very clearly that behind the construction and decoration was a Hermetic Veil of Arcane Wisdom.

In Santa María Novella, this artistic legacy is profoundly enriched thanks to the guild of Arte Di Calimala, as well as the construction wisdom of the Master Architect Arnolfo di Cambio.

Gently reaching the Rosslyn Chapel in Scotland, where the famous Learner's Column brings together the Flower-Rose-Rose, designs that only a Master of the Rose and the Phoenix can teach with Wisdom.

The Divine Ghiberti (1378-1445), who in his design of the Gates of the Baptistery of Florence donates to Humanity (After the competition of 1401), the grandeur of the Biblical Symbol Rosal, as an artistic heritage of the Guillen Florentine.

The Golden Ratio system received from the Roman tradition is preserved, used and transmitted, by the Master Painters (Duccio, Cimabue), as well as by the direct teaching of the architects Alberti, Bramante and Palladio.

The sculptor Nicola Pisano said that his way of working was based on the: "AlI'antica" principle= "Nothing New".

Many of them (not by chance), among the great artists were architects, painters and extraordinary sculptors.

They were taught how to necessarily look and look into the past.

Among the ruins of Imperial Rome, the Flowery Masters found the arcane wisdom, the hermetic symbols and the mythological wealth that the Hermetic-Mythological hides.

The Masters Brunelleschi and Alberti recognized the Vitruvian Geometric Pattern, (Marcus Vitruvius Pollio - Roman architect: De architectura Libri Decem: Third Book), that will obviously be the model of the Majestic Constructions of the time, Vatican.

This Mathematical Proportion does not forget the Great Mother, nor the Feminine Divinity-SOPHIA-, that hides between Virgins and Madonnas, Mater-Matrix-Matron-Matrices.

Phoenix Bird Fire Athanor as between the elusive mythology of flowers-roses and shell.

(Boticcelli-Birth of Venus:1484-Uffizi Gallery)

In Majestic Siena, inside the Capella della Piazza, the Beautiful Feminine Divinity was offered to protect them during the terrible Black Death (Black Death 1348).

Impossible not to mention Duccio di Buoninsegna, that Teacher of the Feminine Goddesses with the finest virgin-feminine Maesta (1311), where the wisdom of Byzantine art, Gothic figures and Florentine colors are integrated

(There is no complete Harmonic Proportion without the Feminine Forms).

Model that the sublime Leonardo da Vinci knew and a copy of Vitruvius, his Man-Temple Ratio, which Brunelleschi will wisely associate and identify as a mathematical problem (Forty-seventh, 47, Euclidean), that governs perspective.

"Geometric projections had long been the Hallmark of the medieval masons' system of construction.”

(Chronicles of the Renaissance: P. Furtado, p. 70).

We observe countless churches with the Patron Saint of La Cruz= Santa Croce.

Architectural Mathematical Proportional Harmonic is in a Proportional Basic Radius= 1: 2, 1: 5 and 2: 5 (Hospital Inocentes Florence).

Francesco di Giorgio already illustrates that the Vitruvian measure was inherent in the Human Body.

And the Masters of the Order of the Phoenix knew that this ratio is the Golden Ratio-Aurea-Solar + Floral, the Geometry of the Human Body is then combined with floral links that emanate from the Sun as crystalline lace of musical cosmic pulsating effluvia in mathematical proportions- geometric

(They reach water as well as crystals and stones).

The Man is the measure of all things established by the deity as the Great Geometric Architect of the Universe.

He designed the Divine Proportion in the Heart as a Solar-Altar Center.

The initiate Abbot Suger de Saint-Denis, knew the mathematical pattern and the Harmonic game of Stained-Glass Prisms

(The Art of the Italian Renaissance, p. 116 by Rolf Toman).

Who as Solar Chromotherapy created a very subtle Vibration among the monks and visitors to church.

The Symbolic Painting also keeps the "treasures of teaching" received from the Ara Pacis-Roman (Altar of Peace), by the teachers and priestesses of the temple to Apollo Sosianus with their sacred Swans (20 BC).

The Swans circled Delos seven times ... and had not yet sung for the eighth time, when Apollo was born (Hymn to Delos, Calimaco: In Fulcanelli, p. 107).

Swan of Leda that contains the Mystery of the Magic and Sensuality of the Flower-Flower-Essence.

Italy, etymologically, is the Earth Mother-Feminine Divinity.

The Primavera by Sandro Boticelli (1478), is deeply influenced by the Currents of neo-pagan thought and the multiple harmonic musical symbologies between the Roman Flower-Flora with their corresponding Musical attributes= (Three-Graces).

Musical harmonies that Alchemy will take up periodically, as the base and foundation, of the Flowery Awakening and that later the alchemists will preserve in their Royal Art.

The "Sacred Music" drives away melancholic and evil spirits, it is inscribed among the musical instruments on the central table of Dr. Heinrich Khunrath.

(Amphiteatrum Sapientiae Aeternae (1604)

Seven candles-lights on the ceiling chandelier, Pentalf Five-Pointed Star in his Altar, 'Festina Lente' well says the Athanor-Dormiens Watch-, while you sleep, written in the upper central hall of Heinrich Khunrath Altar.

Saturn is a Symbol of Alchemical + Cross.

Dürer's Melancholy is Saturnal!

Sacred harmony that 'vibrates' in the mathematical Proportions and Geometric, coordinates as the maximum expression of the Celestial Harmonic Musical tone of the knowledge pattern immersed in the Quadrivium.

Florence is the City of Flower and essence.

Painting is a Book where Wisdom is maintained and preserved with the sly endorsement of Initiated Artists and ambitious Patrons.

The Master of the church of Santa Croce, Giotto (Death of Saint Francis-Bardi Chapel), Da Vinci, Giovanni Bellini, Raphael and others, were Light beings who as 'receivers' of the Superior levels of the Musical-Scale- Artistic-Vibratory.

In them a flow of Celestial Images and Archetypes would be deposited that later 'sprout', after a rigorous and methodical educational-practical process in the Workshops and Guilds.

According to ancient traditions, Gilgamesh seeks Immortality, that potentially possible Eternal principle, but his feat is made impossible since a Serpent steals and eats the Sacred Rose Plant of Eternal Life.

The legend says:

“A serpent sniffed The Fragrance of the Plant, came out of the water and snatched the plant. When she retired, she changed her skin ... The Flower + Plant is said to have been taken by Gilgamesh and the rose pricked her hands.

Pink, Purple.

The same text states: “His thorns will prick your hands like The Rose. If your hands get the plant, you will find new life”.

THE ROSE-La Rosa coincidence?

Possibly one of the first written manifestations of the initiatory tradition of the Purple Flower, (Gilgamesh pricks his hands and bleeds the flower, turning its color into Purple-Chermes= (Arabic: Kermes-Purple-, Latin= Carmesinus).

Arcane Geometry of THE ROSE=La Rosa

Víctor Arturo. Cabello Reyes.