DIVINE THEURGY OF ORPHEUS SOLAR ENTITY

 

DIVINE THEURGY OF ORPHEUS SOLAR ENTITY

Víctor. Arturo. Cabello. Reyes.

"A curious aspect of this Western '' Tradition '' is that it continually confuses the mythological with the real."

(Antoine Faivre, The Eternal Hermes)

Orpheus is a Solar Entity and 'fluid liquid of Solar Gold' emanated from the Lord of Celestial Light and Protector of the mighty healthy Word.

At the same time, it is a powerful solar substance, which, like a stream of a river of milk, gushes forth from the Unique Source -safe and inexhaustible-, formally assimilated through a continuous and uninterrupted Initiate Chain of tradition.

Or, teleistic transmission spiritual journey.

This vital solar fluid is of High Theurgy emanated as essence and seed = (solar sperma), which is acquired and is practically possible to assimilate, through a very old modality of ritual operative diffusion = (theourgia).

Indeed, it is an ancient Chain of transmission "prisci theologi" or Solar Theology = (God is not Invisible), impregnated with the singular magical-sympathetic presence "distant but at the same time close" and whose rays touch the faces.(1)

It is closely linked to a very strong transmission of the Solar Tradition of Knowledge or Orphic Path.

Ancestral initiatory teaching, duly received and consecrated, by a well-known and correct celestial, harmonic and ritual musical reception of the primordial solar numerical vital flow.

It can be assumed, The Divine Theourgia is the operation and activity or the spiritual and practical work to relate to the Divinity through the "Theion Ergon" = "work of the gods".

But it is not only that, in the deep and rich Hermetic Tradition theurgy is considered as the healing Wisdom of Thoth.

Indeed, for the Neo-Pythagorean Master Jamblico, his roots could go back to Ancient Egypt.

And all this allows us to affirm, in her work on the Mysteries = (De Mysteriis), she is faithfully consecrated to these teachings from word of mouth from the “mystic lore of Egypt”.

Or, better still, from the trunks dusted with sympathetic magic where the powerful and magical images of the wise scribes of the Egyptian priesthood resurface. 

(Serge Sauneron, Priest of Ancient Egypt, pp. 62,63)

Interestingly, some researchers attribute to The Chaldean Oracles or perhaps to the rich textual documentation attributed to the Julianes =(Julian the Chaldean and Julian the Theurgist) the fundamental and semantic origin of the concept of 'Theourgia'.

Now, cautiously following another of our koans:

"It may be false, which seems to everyone true."

Let us rather say that original theurgy is a science of a very ancient and millenary knowledge that had and should be the practical domain and total effective control of the Magister Sacrorum.

“O Mysteries truly Sacred! Or Pure Light! At the light of the tourches the veil that covers Deity and Heaven falls of. I am HOLY now that I am INICIATED”.

This may mean that theurgy then proposes a practical method of accelerating the development of the spirit and refining the soul, through a structured and formal system of teaching wisdom in an integral way.

For this reason, The Divine Plato aptly calls Zoroastrian theurgic magic:

"The Service of the Gods."

In a way, this service was based on the acquisition of power, since knowledge and power are diaphanous and clearly associated.

Frequently, these powerful Arcane forces are found hidden from the profane eye in almost all places and very specifically they inhabit and manifest themselves more openly in those chosen places where through millenary rituals (sacred places and cities) they have constantly offered themselves to the very same. essence of Power.

“Theurgy, or the Telestic Work, was the very essence of the Teaching of the Mystery Schools of Egypt, of Samothrace and of Eleusis; of Zoroaster, of Mithra and of Orpheus''.

(Langford Garstin)

It is undoubted that theurgy is based on the Principle of Universal Sympathy and "religion" or solar spirituality. Numenius of Apamea, stated -with great accuracy- that the apprentice had to dedicate himself to the search for that sacred path, which both Platonism and Pythagoreanism had sought in the ancestral way of the old doctrines and rituals of the Ancient Middle East.

In turn, this legacy of an Ancient Sacred Solar Cult, underlies the conscious adoption of rigorous and urgent ethical standards, impregnated with a pure and holy life, as a solemn and solid beacon of light of imperturbability or ATARAXIA or Method and Art of the Lifetime.

"The ultimate goal of Pythagoream and Platonic philosophy was assimilation to god through the cultivation of virtue and truth ..."

(Algis Uzdavynis).

In this way, the distinguished PILEUS or Phrygian Initiation Cap is received with merits and honors. Parallel to the Path and way of testimony of the noble Solar Cult of Zarathustra, directed wisely and skillfully, to “steal a few rays” from the rays and the sacred fire of Ahura Mazda.

Undoubtedly, these teachings go from Wise to Wise through a very fine guiding thread chained in GOLD of a metaphysical nature, which expanded the potentialities and possibilities of man, to become DIVINE or to achieve the personal manifestations of the Cosmic balance of the MAAT.

(S. Sauneron, pp. 28-29)

In addition to all this, to achieve the acquisition of the state of non-contradiction and harmonious unification again, this then, of the well-known fall and LOSS of the WORD or of the distortion and momentary disharmony of the primordial "image and likeness" and immanent Adamic in the "let's do" of the Cosmogony of the gods.

It is noteworthy that the effect of the theurgical work must be in word and act of a positive nature - mageia and no goeteia - and in this way become consubstantial with the acceptance and the "sweet smile of the talking statue" or the conjured entities and summoned.

Of course, it is thus that by the active and fertilizing power of the Word the Universe is built in solidarity and it is destroyed repeatedly as an act or hurricane sound of the REFULGENT THUNDER produced by the Talking Logos of "creation".

Actually, let us remember that etymologically Cain means "something produced" and the theurgical work of tilling the land or of the line of Cainan's son of Enos = (Luke: 3:37), was always seen very disadvantaged by the Divine Eye.

It is striking that according to the scriptures God "did not look with any favor" on the simple offering to "EARN" His divine favor.

Abel's offering, the one soaked in blood and fat, was potentially more fragrant and pleasing to his eyes:

“And the Lord looked with favor on Abel and his offering”.

(Genesis: 4: 2-5)

As can be seen, here we have some of the most significant, practical and misinterpreted examples of theurgical work. Irenaeus, = (Against Heretics, Book I, Chapter XXXI), also confirms it, in the structural and doctrinal revision-of the case of Cain-expressed by the Gnostic Cainite Ophites-; a singular and controversial Gnostic Sect which is possibly evidenced in the Gospel of Judas or, in the famous Coptic Tchacos Codex of the 4th century.

This allows us to elucidate that, unfortunately, this terrible and painful questionable theurgical practice -with the defenseless little animals- and questionable line or, "abelist" prelude to horrendous and endless bloody religious offerings, to this day has already continued to show in rabid spurts, among its last and most warlike and fearsome samples of painful and bloody planetary permanence.

However, the floral aromas reappear invigorating and pure, Rose bushes and fruit trees of a new SOLAR race of soil-loving cultivators like MADRE PURÍSIMA=SOPHIA, who are little by little sending their rich harmonic and aromatic effluvia to all the corners of the planet and reviving in sonorous songs the sweet aromas towards the sublime confines of the Sacred Winds. favorable.

Sacred Tobacco and favorite Smell of the Power of the Eagle and Blessed are you the sweetest fruits of the ground! The answer is that it is now time for Moses that he could shout and get angry before God and cry out:

“! Do not accept their OFFERING! ''

(Numbers 16:15)

In any case, this is so for the sacred blacksmiths and alchemists who are from the ancestral lineage of the Master and architect of the forging of bronze and iron, Tubal-Cain or are part of the harmonic musical lineage of the Master Orpheus and Master Hermes, that consanguineous lineage with the musical line of the harp and the Lyre of Jubal.

(Genesis 4: 20-22)

Through ritual Purification and the opening of a clean and sacred ritual of communication with the gods and beings of LIGHT, a cosmic balance is established, and the Universal balance and Truth are maintained = (Maat).

We must work well clean and perfumed, with washed and fragrant clothes and our bodies must be subjected to the constant and salutary heat of the Inipis, Temescal's and thermal baths, prior to the theurgical work.

In fact, this is a Scientia Sacra, and its dominance is only possible with the due permission of the Elders of Light who inhabit the edge of the onion levels elsewhere in the here and now in otherness.

In this way, the (henosis) or Original Union with the Divine Source is established and restored.

In this sense, due to the dedicated and neat handling of the elements of the Sacred Fire in the Medicine Wheel, the inspiration and effluvia that emanate as anointing of the Sacred Doctrines of the Petallike Dew of the Mother of the Roses and her Divine Inspiration are cordially received, and it is in this way that from the Heart of Heaven the Purple Rose shines and emanates in the humility and surrender of the pulsating Heart.

In this Hidden Wisdom, the deep poetic rhythm of the ORPHIC VERB is hidden, since it is cordially assimilated through the theurgical-ritual capture or solar reconquest of the Path.

It is the glorious Way of "reascension- (anagoge) -regenerativa".

It could be said that the Theurgic Way, subtly immersed and immanent and transcendent, it is in the very pure essential harmonic proportions, transmitted as -bios Orphikos-, and already within the initiatory and millennial Golden Chain= (chruse seira).

To this end, we can say: "It was part of the Golden Chain of knowledge, ultimately secured from the highest realms of the universe from the gods and the One itself". (John F. Finamore, 2004)

Orphic Traditional Wisdom (sapientia), is a ritual approach towards the appropriate vibratory musical scales (Orphic lyre), which are enclosed in a special and refined glorious essence of solar energy.

"The Pythagoreans also make this claim, who used to perform WONDERS by words, songs, and SOUNDS in the Phoebean and Orphic manner."

(Angela Voss, Marsilio Ficino, p. 153, 156-158)

Most likely, this hidden knowledge is only suitable to be “received” and transmitted in an appropriate and healthy way, by those who can achieve -through the rigorous ceremonial process of initiatory death and resurrection (teletai) -, access to the enigmatic codes (Gnosis) of divine work and Orphic sacramental theurgy.

Marsilio Ficino called it “the Orphic ritual to the Cosmos”.

(Letter to Cosimo de 'Medici, Ad Cosmum Medicem)

It is a way of life, strict and formal, as a truly philosophical way of life. In this way, Orpheus and Hermes then go hand in hand. (Athanasius Kircher, Musurgia Universalis, Frontispiece Volume II and in: Garth Fowden, The Egyptian Hermes)

It is strictly necessary to lead a pure, moderate, measured and very well-ordered life, as of the highest holiness and spiritual quality - "fine linen" - to properly access the elusive and jealous "solar entities." "I do. I have heard it, indeed, from wise men and women in divine matters…”

(Plato, Menon.81a)

As we approach the ritual altars dressed in the most sacred and fine linen, this same theurgic purity -in total humility- facilitates and makes possible the access to the Primal Source of reunification (he arrhetos henosis) with King Sun.

Orpheus is the son of the Solar Apollo, and his lyre is completely Apollonian in nature. 

Of course, the fundamental and original purpose of the Initiation Path must be retaken.

The Spirit of the 'paradosis' or Orphic Tradition is established, as the search for the origins (trip to Argo, trip to the underworld).

It is limited and framed within real and immense possibilities, whether mythical or historical, to find those ancestral roots from which the most diverse Orphic and non-Orphic currents originate and emanate -some academically controversial-, in order to establish the most faithful approach to its valuable, rich and poetic "literary canon".

"The scholarly consensus is that these Orphic figures, combining the cosmological conception of time with an iconography in which human forms are merged with wings, snakes, bulls, and lions, must have some INFLUENCE on the Mithraic lion-head god."

(David Ulansey, The Origins of the Mithraic Mysteries, p. 120 and in Carl A. Ruck, Hoffman, González Celdrán, Mushrooms, Myth and Mithras, p. 166)

We can believe or not believe in the reality of Master Orpheus, or continue losing ourselves -futilely-, in mental labyrinths out of strictly "intellectual" considerations or perhaps rambling in endless, sterile and vain purely academic fights between skeptics and rationalists [Wilamowitz, Linforth, Zuntz ...]

Or, perhaps, reaffirming we in what Mircea Eliade quite rightly calls ... "polemical passions '':

"Orpheus himself is a mythical character, NOT A HISTORICAL person, so any deeds belong to the realm of story, invented to fit with the name."

(Radcliffe G. Edmonds III, Redefining Ancient Orphism, p. 3.)

We cannot try to understand valid and authentic reasons for denying its possible historical veracity and its actual physical existence (apart from its countless mythical protagonists).

Equally significant is the invaluable opinion of the scholarly scholar and well versed in Orphic subjects, Raquel Martín Hernández: "Orpheus' homeland is usually Thrace, although some poets, especially Alexandrians, refine the location more and offer in their texts more specific places such as Pimplea, Bistonia or Rhodope, cities all of them in northern Greece" ...

"Orpheus He is, in addition to being a foreigner, a hero from the North. This characteristic has been used by some scholars to associate it with Nordic SHAMANISM and thus support the explanation of some mythical episodes as traces of an ancient shamanic religion” …

(Raquel Martín Hernández, Orfeo y Los Magos, pp. 18-19)

Call our attention, possibly the Master Orpheus was a glorious Shaman, of the most cultured priestly line of ´Apollonian shamanism´.

“I can make a hypothesis about Orpheus himself, even at the risk of being labeled a“ panchamanista ”.

Orpheus' homeland is Thrace, and in Thrace he is the worshiper or companion of a god whom the Greeks identified with Apollo.

"It combines the professions of poet, magician, religious teacher and oracle emitter ... I conclude that Orpheus is a Thracian figure practically of the same nature as Zalmoxis, a mythical shaman or prototype of shamans."

(ER Dodds, The Greeks and The Irrational, p. 144 and see: M. Eliade, Orpheus, Pythagoras and the New Eschatology)

For the wise Eliade ...

"Orpheus' prestige and the most important episodes of his biography are surprisingly reminiscent of shamanic practices."

Perhaps the relationship of Orpheus with the Sacred Mysteries was significant, as an extraordinary founder of initiations and initiated himself, in the "true knowledge" of the Mysteries of Samothrace and:

"He showed the splendor of the ineffable mysteries", according to Euripides it was also a relationship of ceremonial assimilation and association with ancient and ancestral theurgy.

(M. Eliade, History of Religious Beliefs and Ideas, Volume II, page 220 and R. Martín Hernández, page 41)

Orfeo is a highly cultured shaman and an initiate of a high refined spirit of the finest song and verb of high poetry. and, at the same time, a very powerful magician possessing the highest qualifications of traditional theurgic devotionals, rituals and practices.

“In any case, it seems to me essential to insist that the pre-Socratic philosophical current -and, of course, that of later philosophy- and the religious one that we can consider Orphic are not watertight compartments, but rather have communities of thought, ways of MUTUAL INFLUENCE, in themes that are framed within the same conceptual universe”.

(Alberto Bernabé, Orphic Texts and Presocratic Philosophy, p. 14)

Orpheus taught the Old Way or the Old Way that leads back to the primordial substance of the Cosmic Egg.

"Animals are as worthy of respect as humans and we should NOT spill their blood in rituals."

Orphic music was, and is, effective in creating the proper disposition of the soul for proper solar reception.

“In natural magic nothing is more efficacious than the Hymns of Orpheus…

(Pico De la Mirandola, Orphicae Conclusions, in DP Walker, Spiritual and Demonic Magic, p. 22)

All Things come from the same beginning without beginning or end.

It is the multiplicity of THE ONE and the Purest emission of astrological effluvia from the UNITY OF THE ALL and the Source of the Sources. Multiplicity, dismemberment, fragmentation, unity and reintegration.

We are all parts of the same complicated system of relationships in a complex Cosmic Fabric.

ORFEO SOLAR VIVAT

DIVINA TEÜRGIA by ORFEO SOLAR ENTITY

Víctor. Arturo. Cabello. Reyes.