Old Hermetic Order of the PHOENIX
Víctor. Arturo. Cabello. Reyes 🌹
The Ancient Hermetic Order of the Phoenix preserves authentic manuscripts which for many centuries have been carefully preserved and copied in the Temples of La Lux.
Already before the Italian Renaissance, great artists, painters, sculptors, musicians, poets, architects and builders, had belonged to fraternities-guilds and brotherhoods where the "Hidden Knowledge" was jealously preserved.
The Order of St. Benedict, in which monks of the Cluny reform the architectural styles, was a lucid page within the process of Ancestral Knowledge.
As an Upward Spiral Scale it continued almost without interruption for centuries.
Together with the Citeaux-Cister and Cluny they extend throughout Europe, Prelude to the Gothic.
Ancient oral traditions say that the Master Builder Gauzon appears to the apostle St. Peter giving him in Vision Plans of the temple of Cluny III.
Centaurs, Phoenix, lions, prophets and singers intermingle between Floral-Spiral motifs of the decoration of the Santes Creus.
Style carried by the nomadic brotherhoods of builders in the 'Coming and Going' to San Galgano, Fossanova or Casamari in Italy.
Sacred Square that well recognized the Master Architect of the thirteenth century Villard de Honnecourt when exclaiming:
"Vesci une glize D'Esquarie, ki fu esgardee a faire en L'ordene de Cistaus''= Behold a square church designed by the Cistercian Order.
The Cistercian has a special predilection towards the SOPHIA MATER=Virgin Mary-Feminine Divinity=FLEUR D'Lis.
They were the wise observers -following tradition-, of the space and sky of the comet that crossed the bright skies between 1664-1665 and that many Europeans were concerned about observing the "celestial spectacle".
It should be recognized that these teachers are responsible from the cathedral schools, monasteries and convents of light, love and moral and spiritual respect, the flowering of all kinds of art and wisdom = poetry, translations, science and theology, medicine and the development of laboratories and practical and theoretical experimentation.
"It is the 'Renaissance of the twelfth century, a great explosion of creativity in science, technology, theology, music, art, education, architecture, law and literature.''
(Lawrence M. Principe, The Scientific Revolution, p.18)
Order that will grant in a wise and ritualistic way complex floral constructive forms to the brothers of the Temple in their Castles of the Cross.
Crusader masters of the Phoenix Stone = "By this Stone the Phoenix is reduced to ashes...
"By the power of the grail the Phoenix lives again."
(Wolfram Von Eschenbach, Parsifal)
Lapis lapsus ex caelis-stone fallen from the sky.
Fulcanelli mentions that alchemy is completely fused with symbols of the masters of the Stone and builders.
Rose-rose window that contained in themselves the action and movement of the alchemical Fire that purifies the Phoenix Bird.
"Certaines roses, emblématiques du compose, ont un sens particulier qui souligne advantage les proprieties de cette substance que le createur a signee da sa prope main" =Certain Rosettes, emblematic of the compound, have a particular meaning that further underlines the properties of this substance that the Creator sealed with his own hand.
(Le Mystere des Cathedrales p. 66)
Six Petals or rose-roses that Master Fulcanelli himself confesses reproduce the Seal of Solomon-Magen.
Rosettes of the Cathedral of Saint-Jean, Cathedral of Rouen, Santa Chapelle... or the fine Portal de la Vierge-Mere =virgin mother of the Cathedral of Amiens.
Later the evolution of forms develops and matures carefully maintaining the Pattern of Vault in Cross and cross of the Euclidean-Vitruvian model.
Cross in Chartres or in the Cathedral loved by Flamel Notre-Dame de Paris.
Cross at Reims (1211), Cross at Chartres (1194), Cross at Amiens (1220).
Sunlight in Multicolored Prisms in La Sainte-Chapelle de Paris.
(1242-1248)
Cyclic cross of Hendaye-Ocruxaves Pesunica = crux abe spes unique = Cross that encloses the mystery of the macrocosm-microcosm.
Hope-Faith=our only salvation.
Phenomenon of Heaven and man-temple-Model-geometric-builder-union-square-compass. Macrocosms and Microcosmos.
(Albrecht Dürer's Melancholy and The life and art of Albrecht Dürer; Erwing Panofsky, 2005)
The initiate Abbot Suger of Saint-Denis, knows the geometric-mathematical pattern and harmonic game of vitral prisms.
(The Art of the Italian Renaissance p. 116 by Rolf Tomann)
Solar Chromotherapy that creates a superb subtle vibration among the monks and visitors to the church.
The symbolic painting keeps "treasures of the teaching" received from the Ara Pacis-Romano= (Altar of Peace) by the masters and priestesses of the temple to Apollo Sosianus with his sacred Swans (20 BC.C.).
The Swans revolved seven times around Delos... and they had not yet sung for the eighth time, when Apollo was born".
(Hymn to Delos, Calimachus: In Fulcanelli p. 107)
Swan of Leda that encloses the Mystery of the Magic and Sensuality of the Flower-Flower.
Italy etymologically is Mother earth-feminine Divinity.
The Spring of Sandro Boticelli (1478) for example, is deeply influenced by current paths of neo-pagan thought and multiple musical harmonic symbology's between the Flor-Flora-Romana, with their corresponding Musical attributes.
(Three-Gratias)
Musical Harmonies that the Alchymia will periodically resume, its basis and foundation of the flowery awakening.
Later the alchemists will preserve in their Arte Regio.
The "Sacred Music drives away melancholic and evil spirits", inscribed among musical instruments on the central table of H. Khunrath.
(Amphiteatrum Sapientiae Aeternae (1604)
Seven candle-lights of the ceiling chandelier, Pentalpha Five-Pointed Star on its Altar.
'Festina Lente' well says the Athanor-Dormiens Vigila=Watch while you sleep, written in the central upper corridor of Khunrath.
Saturn is a symbol of The Cross.
Dürer's Melancholy is Saturnal!
Sacred harmony that "vibrates" between mathematical proportions and geometric coordinates.
Maximum expression of a celestial harmonic musical tone of the pattern of knowledge immersed in the quadrivium, arithmetic, geometry, astronomy and music, essence of the harmony of the celestial spheres and constructive forms. Florence is City of Flower and Essence.
Painting is a book where wisdom is maintained and preserved with the overlapping endorsement of initiated artists and ambitious patrons.
The Master of the church of Santa Croce, Giotto.
(Death of St. Francis-Bardi Chapel)
Da Vinci, Giovanni Bellini, Raphael and other Light beings' 'receptors' of Higher levels of scale-Musical-Artistic-Vibratory.
Elements of paradisiacal Arcadia and faithful transmission of the harmonious legacy between Man and nature-mother; Divine-Shepherdess.
The architectural legacy of gothic cathedrals and churches preserves millenary substrates of the master-architects and masons who carved the 'raw stone'.
They knew clearly that behind the construction and decoration is the Hermetic Veil of Arcane Wisdom.
In Santa Maria Novella this artistic legacy is deeply enriched thanks to the Guild of Art Di Calimala.
Construction Wisdom of the master architect Arnolfo di Cambio.
Arriving at the Rosslyn Chapel in Scotland, where the famous apprentice's column brings together designs of The-ROSAE Flower, that only the Master of the Rose and the Phoenix can teach through the Wisdom Tradition of the Kabbalistic Tree of Life.
The Divine Ghiberti (1378-1445) who in his design of the Doors of the Baptistery of Florence gives Humanity (after the competition of 1401), the grandeur of the symbol-biblical Floral-Rosal; artistic heritage of the 'Guilde Florentino'.
The golden ratio system that is received from the Roman tradition is preserved, used and transmitted by the Master Painters = (Duccio, Cimabue).
And, by direct teaching of the architects Alberti, Bramante and Palladio.
The sculptor Nicola Pisano believes that the way of working is based on the principle = "All'antica" = "Nothing New".
Many of them (not by chance) among great artists were architects, painters and extraordinary sculptors.
They were taught how to go and look obligatorily to the past, among the trunks of antiquity were hidden the Secrets of the Phoenix Bird = (Ardet ut Vivat).
Among the ruins of Imperial Rome are the Florid Masters the Tradition of Arcane wisdom.
Hermetic symbols and mythological richness that hides the hermetic-mythological. Masters Brunelleschi and Alberti recognized the Vitruvian Geometric Pattern.
(Marcus Vitruvius Pollio-Roman architect: De Architectura Libri Decem: Third Book)
Model of the Majestic Constructions of the time.
(Vatican)
Sacred and mathematical golden ratio that does not forget the Great Mother or the Feminine Divinity that hides among the virgins and Madonna's, mater-matrix-matron-matrices.
Athanor of the Fire of the Phoenix Bird; as among the elusive mythology of flowers-roses and shell.
(Boticcelli-Birth of Venus: 1484-Uffizi Gallery)
In the majestic Siena within the Capella della Piazza, is offered to the Beautiful Feminine Divinity, that she protected during the terrible Black Death.
(Black Death 1348)
It is impossible not to mention Duccio di Buoninsegna, master of the Feminine Goddesses with the very fine virgin-feminine Maesta (1311).
It integrates the wisdom of Byzantine art, Gothic figures and Florentine colors.
Old Hermetic Order of the PHOENIX
Victor. Arturo. Cabello. Reyes. 🌹
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