(The Way of La Toabey) Tradition of MASONIC-Historical and ALCHEMICAL MANUSCRIPTS OF THE ORDER (Part II-Final)

 

(The Way of La Toabey)

Tradition of MASONIC-Historical and ALCHEMICAL MANUSCRIPTS OF THE ORDER (Part II-Final)

Victor. A. Cabello. Reyes. CR +

Speculative Mysticism through the Euclidean geometric Tradition, was an integral part of the cabinet or scriptorium, of the builder monk.

The builder Gothic Monks left that constructive ancestral wisdom embodied among the purposes and Regulations of their Gothic Constitutions (Regius Manuscript-1390-one of the oldest Masonic manuscripts = Amen! Amen! Amen! So Mote it be!)

Bernardo De Claraval, se It relates to the Gothic, the reform of the Cistercian and with the formative and spiritual principles of the ORDER of the TEMPLE. That Gothic naturalism rich in the expression of Man in his powerful character of creative individuality. Therefore, even Eugéne Viollet-le-Duc, he saw in the Gothic the defined strict and formal application of the Mathematical Laws. (Dictionnarie Raisonné de L'Arch.franc.du XI au XVI siecle, I, 1865)

Those Master Builders were a lineage of Sages and scholars in whose documentary inscriptions their principles are recorded in which Kabbalistic Cosmic Models are crystallized and executed merging needs abstract in a sense of Unique Cosmos and Eye of God. (Ogival architecture is exemplified as early as July 14, 1140 in the Wonderful Work of the Masters of the Fleur de Lis in the choir of the Basilica of Saint Denis in Paris) It is the Tradition of Euclid and Hermes the true Fathers of the Freemasonry ('' Hie incipiunt constitutions artis gemetriae secundum Euclyden) (Manuscript Regius Poem = (Halliwell MS-c. 1390) In its heraldic shield the Cistercian Order contains The Sacred FLOWER OF LIS… Flowery Masters Architects and Initiated Monks of La Piedra. Ora et Labora is not only a Benedictine motto, it is obviously a very clear direction of the alchemical Magnum Opus. The Master architect has to KNOW, since in that Knowing, resides the hidden meaning of Power. The Geometry of your body is pure microcosmic mathematics that symbolizes the macrocosm = Adam Kadmon. The cathedral nave was the image of the sacred substance of the Fleur de Lis and Christic body + whose crosses form the arms, and as a microcosm, all the celestial influence of the astronomical zodiacal field extends into it.

The FLOWER of HEAVEN is a matter of high astrology-astronomy and its alchemical essence is a Knowledge = sacred GNOSIS that comes to us from Heaven.

The Sacred Ampoule of La MATER SOPHIA arrives wrapped in between the Wings of La Divina Paloma as FLOR de LIS and MATER NOSTRA = NOTRE DAME = SOPHIA.

The Stone, low In Nomine Domini and, was the personification of his internal state, and the conscious elaboration of it corresponded -gradually- to the rigorous internal alchemical stages, and to its slow but efficient spiritual development.

It is the geometric proportion of the meaning of the Masonic Staircase.

God is in the Euclidean proportion of the roughing of the stone.

The Master of the Flower and Essence Bernardo de Clairvaux (Doctor Melifluo = Miel de Miel drafts the Rules of the Temple and its division between Ringing Bells (Canonical Hours = 8-8-8) rigorous exercise within the Benedictine Monasteries.

This sacred knowledge is elaborated through a rigorous line of Spiritual Masters or, Chain of GOLD; between medieval monasteries and lodges very close to each other.

It should be clear that the most recent Masonic Documentary Sources indicate a rigorous and educated-scholarly-building Tradition among certain groups of advanced Monks.

The lodges = (opus, oeuvre, Bauhutte) were between the twelfth and thirteenth centuries, communities of artists and craftsmen employed in the construction of a church, generally a cathedral, under the artistic and administrative direction of people commissioned by the entity that built the play….

In the monastic order originates the principle of calling the workers from work to rest by the ringing of bells.

The working hours and the organized system of methodical work were regulated by the RULE.

The creation and maintenance of libraries, as well as the prudent use of study hours, has been regulated - for master builders - since the time of Saint Benedict of Nursia, and the great Montecasino.

The lodge is an astrological and cosmic clock.

The cross of heaven rests at the solstice and equinoctial intersection.

Tradition of respect where man is united with his divine essence.

This power of transformation resides in the stone. Thus, these monastic movements are enriched with the renewal of orders and deep dissertation of a philosophical theological nature.

Chartres and Notre Dame de Paris were also architectural, philosophical and educational schools.

"The architecture was developed, trying various types of vault, looking for a way to solve the problems posed by its weight on the walls, which were complicated by the need to make openings; Cluniac architecture, friend of light, invents the pointed arch ”. (Medieval Philosophy in the West, Vol. 4, p. 115)

Bernardo de Clairvaux, establishes rules for the masters of stone and in his famous Apology to William, practical architectural criteria of the Art of Stone are formulated in the constructions of the Cistercian abbeys.

Therefore, it will then be easier for the stone master monks to enter a slow but steady process towards the acceptance of the Gothic. The Roman de La Rose, is a tradition of spiritual wisdom.

The Flower speaks to us!

For Saint Isidore of Seville:

“Do not believe that you read my thoughts. You reread those of the ancients ”= Lector non nostra leget sed veterum releget).

Geberto de Aurillac, has as a teacher Florido De Fleury. Mathematical science, Kabbalah, Sufism, astrology and cryptography are enriched by it.

Wisdom is faithfully transmitted from the most educated and cultured Arab lines.

Let us remember that he became Pope Sylvester II.

Papal heraldry has its fine examples from the Fleur de Lis tradition and the coat of arms of Pope Paul VI is a good example.

There is an ancestral Pattern in the very structure of the Cathedrals which was respected for centuries by the Master Architects.

The Sacred Flower is millenary, astronomical-sexual-internal and spiritual alchemical.

We are Cosmos and Temple!

7 holes in the head and three in the body = 10 Sephirotes.

We are stonemasons of the Inner Stone! His Wisdom that hides and reappears. It's Solar.

The Divine Ghiberti (1378-1445) who in his design of the Doors of the Baptistery of Florence donates to Humanity, (after the competition of 1401) the grandeur of the biblical symbol Rosal, as an artistic inheritance of the Guild Florentine.

The Golden Ratio system that is received from the Roman tradition is preserved, used and later transmitted by the Master Painters (Duccio, Cimabue) as by the direct teaching of the architects, Alberti, Bramante and Palladio.

The sculptor Nicola Pisano believed that his way of working was based on the principle "All'antica", "Nothing New".

Many of them (not coincidentally) among the great artists were architects, painters, and extraordinary sculptors.

They were taught how to address and necessarily look into the past, among the trunks of antiquity were hidden the Secrets of the Phoenix Bird (Ardet ut Vivat).

Among the ruins of Imperial Rome, the Florid Masters found arcane wisdom, hermetic symbols and the mythological wealth that the Hermetic-Mythological hides.

The masters Brunelleschi and Alberti, recognized the Vitrubial Geometric Pattern (Marcus Vitruvius Pollio-Roman architect: De architectura Libri Decem: Third Book) which will obviously be the model of the Majestic Constructions of the time.

(Vatican).

Said mathematical proportion does not forget the Great Mother nor the Feminine Divinity that hides between virgins and madons, mother-womb-womb-wombs.

Athanor of the Fire of the Phoenix Bird; as between the elusive mythology of flowers-roses and shell. (Boticcelli-Birth of Venus: 1484-Uffizi Gallery)

In the majestic Siena inside the Capella della Piazza an offering is made to the Beautiful Feminine Divinity who protected them during the terrible Black Death (Black Death 1348).

It is impossible not to mention Duccio di Buoninsegna that master of the Feminine Goddesses with the very fine virgin-feminine Maesta (1311) where the wisdom of Byzantine art, Gothic figures and Florentine colors are integrated.

Feminine Divinity that is fundamental for the energy balance of the Master Builder Painter-Musician.

We have the obligation my brothers to 'raise' our frequency of vibration and subtly enter higher octaves with fine music, beautiful images of painting and sculpture as well as higher thoughts of Light Purity.

The Phoenix Bird only resurfaces from the Sacred Fire, after purifying itself in it.

We need a sweet new style in speaking, in dealing with the brothers, among all of us.

Without malice!

For Giorgio Vasari, the artist Paolo Ucello was so immersed in the perspective of painting that she relied on his thoughts of purity and harmony; so much so that it was the very proportion and the perspective of the chalice within the geometric mathematical context and that Ucello himself gently carried to the "bed with his wife" ...

"Sweet Mistress, Perspective".

León Battista Alberti wrote a Treatise on the Theories of Perspectives.

(There is no complete harmonic proportion without the female forms.)

Model who knew the sublime Leonardo da Vinci and copy of Vitruvius his Man-Temple Proportion and, which, Brunelleschi wisely associates and identifies as a mathematical problem = (Forty-seventh 47 Euclidean?)

And that governs perspective. “Geometric projections had long been the Hallmark of the medieval masons' system of construction.“

(Chronicles of the Renaissance: P. Furtado, p. 70)

We observe infinity of Churches with the pattern of La Cruz, Santa Croce.

The architectural mathematical proportional harmonic is in a Proportional Basic Ratio 1: 2, 1: 5 and 2: 5,

(Hospital Inocentes Florence)

Francesco di Giorgio already illustrated that the measure of Vitruvius was inherent to the human body. And for the Masters of the Order of the Phoenix they already knew that this ratio is the Golden Ratio-Aurea-Solar + Floral.

It is Geometry of the Human Body that comes to combine with floral links that emanate from the Sun as Christian lace of pulsating musical cosmic effluvia in mathematical-geometric proportions.

(They reach the water as well as the crystals and stones)

Man is the measure of all things, established by the deity as the Great Architect-Geometry of the Universe.

He put the Divine Proportion in the heart as the Solar-Altar Center.

The phallic columns of the vestibule of the solar temple of Hierapolis will serve as a model for the continuity of the symbolism since the Pillars of the Solomonic Temple of Jerusalem will evidently be Phallic.

(A. Pike: The Book of the Words p. 36)

One Doric column in the temple is male, another Corinthian column is female. Floral capitals, embody symbols that hide Wisdom, on top of columns from the Egyptian Lotus to the Lily ... a pedestal, a base, a foundation: “Yesud, Fundamentum, Foundation, Stability, one of the Sephiroth, is, in Adam-Kadmon, represented by the Membrum Virile”.

(A. Pike: The Book of the Words, p. 29)

Only by entering through 'between the main columns' one reaches the Center of the Mountain-Mount Hermon-Altar and the Duality is transcended.

''Phallic columns were also common in every part of the orient… and even THE CROSS, were representations of the virile member ”. (Albert Pike page 29)

Phallos-Faro-Phaos-Luz, the Granada and the Lotus-Female-Shell: J is Female, B is Male. Columns of the Masonic-Feminine + Masculine-Union of Duality Temple.

The architect brother Andrea Palladio, he was very sure that the legacy persisted and it was a line of architectural orders that would lead him to Greece as the matrix of the Doric-Ionic-Corinthian harmonic balance between the beautiful additions of the Tuscan-Composite. Ideological foundation of the Trivium and Quadrivium. 3 + 4-7-harmonic system of the Floral Lotuses of the Body-Proportion-Golden-Architectural.

León Battista Alberti, would present it in De Re edificatoria (1550) seen in Orsanmichele and sponsored by the Florentine Opera del Duomo brotherhood.

All this is enriched by the translations of the illustrious Marsilio Ficino and the Florentine Academy as well as by the sensitivity of the angelic cabalist Giovanni Pico de la Mirandolla;

"Because I know that there are many who, like the dogs that always bark at strangers, so they too often condemn and hate things they do not understand."

The Order of the Phoenix Bird is active in the search and diffusion of the Light. It is within the Man-Woman where the Sacred Flower-Cross-Fire dwells, capable of transmuting the Saturnal Lead of the raw stone into the Solar gold of the cubic stone; for the establishment of the Temple of light-humanity and the harmonious balance of the Planetary Supreme Octave Vibration.

The Templar Grand Master Aumont (after the martyrdom of De Molay) received a Seal on his ring that had a Phoenix Bird covered in flames… Ardet ut Vivat.

The Knights of the Temple were also the Knights of the Phoenix Bird and were depositaries of the Building Orders. Why?

Saint Bernard of Clairvaux-Cistercian Reform, gets Papal approval at the Council of Troyes for the Phoenix Templars.

Hugo de Payns, Everard des Barres, Payens de Montdidier, Hugo de Rigaud, they knew the initiatory Mysteries of the Order of the Phoenix!

It is said by ancient Legends that it was a Sacred Bird that lived for many centuries which lived in solitude.

Periodically he would gather aromatic plants and build a "nest."

Then it would move its WINGS slowly until creating a Sacred fire that would ignite the aromatic plants as a sacred pyre ... it would thus renew itself reaching the Immortality that is only received by In Hoc Signo, Vinces.

The Igneous Purification Ardet Ut Vivat!

(The Way of La Toabey)

Tradition of MASONIC-Historical and ALCHEMICAL MANUSCRIPTS OF THE ORDER (Part II-Final)

Victor. A. Cabello. Reyes CR +