gobineau

Explanation of the Alchemical Stone of the Master Florido d'Esprit Gobineau de Montluisant, gentilhomme chartrain, ami de la philosophie naturelle et alchimique et d'autres philosophes très anciens. (Introito) Victor. A. Cabello. Reyes CR +�� ''We are indebted to this Spouse of God, this Virgin without blemish, who intercedes between HIM and us and before Him for our favor, who is also Mediatrix, the Cité, the House of God and the Door of Heaven ''. .. (Master of The Flower��Gobineau de Montluisant) The Alchemist Masters of La Rosa are solidly established between the 12th and 17th centuries in Western Europe, distilling the Eternal in the transcendental and immanent of the Sacred Stone. The elaboration of the raw stone work in the temple-cathedral, It involves a whole internal process of chrysopoeia = Making internal Gold and solarizing the Raw Stone transforming it into Cubic and polished Templar Stone. It is a theurgic relationship between the raw stone and the Pentalpha-Star Man and microcosm. The elaboration of the Divine foundation stone of the medieval cathedral is an alchemical process of the Divine Art as a lapidary technique or hieratiké techné. Esprit Gobineau during the middle of the seventeenth century made a detailed and dedicated study of Hermetic art and science. There is a little-known work where he specifies his study of the stone and symbols of the Paris cathedral centuries before Fulcanelli. Your title; Enigmes et hiéroglyfs physiques qui sont au grand portail de l'église cathédrale et métropolitaine de N. - D. de Paris, avec une instruction très curieuse sur l ' ancienne situation and foundation of cette église et sur l'état primitif de la cité. By the same author d'Esprit Gobineau de Montluisant, there is also an old treatise or Manuscript from which we will proceed to synthesize his alchemical work. (Le traité secret de l'Arte Philosophique) Gobineau de Montluisant, produced a first edition already in 1640, containing his Enigmas possibly his only alchemical work inspired by the Tradition of Hermetic alchemy. Very little is known of his public life despite the appearance of documentation of his poetry with a strong religious tendency and his famous acrostics (A. Benoit intitolato Esprit Gobineau, poète chartrain du XVII siècle, uscito nelle Mémoires de la Société archeologique d'Eure-et- Loire, tome III, 1863, pp. 263 - 276.) Réflexions sur les vers d'Esprit Gobineau (1633) in AA. VV. L ' image du prêtre dans la littérature classique (XVIIe-XVIIIe siècles) (Bern, Berlin, Bruxelles, Frankfurt / M., New York, Oxford, Wien, 2001) by Danielle Pister. Returning to the alchemical hermeneutics of the Notre-Dame portal proposed by the Master Florido Gobineau, we find there a true treasure of allusions and alchemical symbology in the stone of the Master builders of Paris. It is thanks to Master Gobineau that we know of the condition and establishment of the astrological-kabbalistic-alchemical-hermetic heritage of the monks and masters of polished stone of the Middle Ages. «... I know, from the artistic point of view that this cattedrale is not the same as the second ordinary operation, for altri motivi not less interesting; Essa differisce dalle sue sorelle perché è più mysterious, più sapiente e less pure, non è altrettanto fedele a Dio delle altre, perché racchiude dei segreti interdetti, not including his Christian symbolism formulated by della kabbala, ed è nel contempo cattolica ed occulta. Così le tre porte della sua facciata principale that sono designate dagli archeologi sotto il nome di "porta del giudizio", "porta della Vergine" and "porta di S. Anna e di S. Marcello" allegorizano, secondo certi occultisti, la Mistica, l'Astrologia e L'Alchimia, quete tre scienze en gran onore nel Medio Evo; e quest'ultima, aperta sull'architrave da cui San Marcello, nono vescovo di Parigi, si innalza, schiacciando sotto i piedi a dragone che scappa dalla bara di an adulterous donna, contains, with the sue figure geroglifiche, the ricetta della Grande Opera , the ricetta della Pietra Filosofale. If you will find in a trattato di Gobineau de Montluisant, a degli ermetisti of the seventeenth century, the descrizione segreta di questa porta che, with the Saint-Jacques tower and qualche vetro della Sainte-Chapelle, costituisce l'ultimo lapidario testo delle leggende spagiriche di un tempo...". (J.-K. Huysmans, De Tout, Stock, Paris 1902, pp. 77-78 and see: La Symbolique de Notre-Dame de Paris, in Le Tour de France - Album et guide du Touriste, n ° 14 of 15 Aprile 1905, pp. 329-333). That was the alchemy that fascinated the vision that alerted the brother of the stone Victor Hugo, in his Romantic fascination for The Lady of Paris. It is thanks to Gobineau and his studies that the hidden alchemy of the master builders in the stone of the cathedral is known. We can say that the character Claude Frollo (Víctor Hugo-1832), it is spiritualized by Gobineau's rigorous research. A hidden symbolism of the 'gothic architecture' of Notre-Dame, it is totally immersed between the wisdom of the Sacred Ternary and the Geometric-Pyramidal Triad; exposed in alchemical iconography as Principle of the Magisterium of the Stone Flower. `` Now you know that this seed is generated by metals in this way: the celestial influence, by the command and order of God, descends from on high and mixes with the properties of the stars. When this conjunction takes place, then these two give birth to a terrestrial substance, in some way Third, which is the Principle of Our seed, from its origin so that it can show the ancestors of its generation '' (Florido Master: Basilio Valentín , The Twelve Keys) The Master alchemists-Architects and of lapidary works of the Fleur de Lis-Oro still continue to hold the Hermetic Golden Chain of transmission that which embodies the transcendental Wisdom. All this through a rigorous process of formal initiation and the strict assimilation of the astrological cosmos in Man for the well-known theurgical elaboration of the Elixir and solar substance. This elixir is extracted from the mine and raw stone placed in an astronomical place in the Temple. It is a ritual setting framed in a ritual-theurgic drama of a Theatrum-Chimicum in a Curious Chemical Library. Its knowledge requires the total immersion of flowery thought in Universal Hermetic expressions and analogies. Fulcanelli never gave the value and merit to the true and authentic author of his investigation of the architecture of Notre Dame, who was the Master Florido Esprit Gobineau de Montluisant. The true researcher and author of the Mysteries of the Cathedral of Paris and his "irrefutable testimony of Gobineau" - according to Fulcanelli- himself, was the Master Gobineau de Montluisant. Not Fulcanelli. (Fulcanelli, The Mystery of the Cathedrals, p.43) ''Mais nous possédons, heureusement, le texte d'Esprit Gobineau de Montluisant, dont le free fut écrit '' le mercredy May 20, 1640, veille de la glorieuse Ascension de Nostre Sauver Jésus-Christ '', et qui nous apprend positivement that roi porte une triple couronne ''. (Fulcanelli, Le Mystére des Cathédrales, Editions Pauvert, Paris, 1964, pp 41 and 146) There is the Unitary composition of the Whole emerging from the trinity of functions that follow it as the Emanation of the Primordial Ternary unique Father. Numenio of Apamea alludes in the Chaldean Oracles, recognizes the Ternary as triple Power = (trydýnamis). It supports the Eternal and ternary principle; The Father-Power-Knowledge. Stone that comes to us from Heaven through the permanence of a Philosophia perennis linked to the Primordial Tradition in total salutary consolation for men = Hen to pan = The All is One and unus et omnia. For Ireneo Philaletes, it is revealed that the Philosopher's Stone postulates its "spiritual and penetrating heavenly substance." She is the one who brings the Metals to perfection, being the essential components Salt, Sulfur and Mercury for the Opus of the Secret Socphic Fire. The compound ternary body manifests in our living water is '' Azoth '' and its Operation of the Three Fires [Artefio, The Secret Book, 34, XII century] In this way, the nature of the alchemical-Masonic stone is angular in essence and is received from on High. An important aspect is the Incarnation of the mysterium magnum of the Golden Stone or Flower sustained by the Supreme Power of the Light of the Sky of the Ancients; whose essence is Ternary and Divine (tetaktys = τετρακτύς) We therefore see the Essence-ens seminis-, incombustible as Solar sperm seed and Ternary Celestial influences deposited through the principle of synchronicity and Emanation from the Heart of Heaven. It is the summa of the Secret Mystical Knowledge. Geometric-Pyramidal Triad exposed in alchemical iconography as Principle of the Magisterium of the Stone Flower. '' Now you know that this seed is generated by metals in this way: the celestial influence, by the command and order of God, descends from on high and mixes with the properties of the stars. When this conjunction takes place, then these two give birth to a terrestrial substance, in some way Third, which is the Principle of Our seed, from its origin so that it can show the ancestors of its generation. '' (Florido Master: Basilio Valentín, The Twelve Keys) Its knowledge requires the total immersion of flowery thought in Universal Hermetic expressions and analogies. The Art of Thoth-Hermes, is Path understood and faithful representation of a Journey or long adventure 'Argonautica' of Life. The Camino del Camino according to the Master Florido Arnaldo de Villanueva (13th century). It is the Path of the '' Sons of Hermes '' as Hermetic Chain = (Hermaic seira) faithfully followed without interruption until today. On the other hand, the Chain of Gold-Wisdom is resurgent and alive, perpetuated in the Ancestral pre-Socratic metaphysics without interruption. And, on the other, it is descending -demiourge seira-, similar to an Alchemical Staircase detached from Mystical Pythagorean Sources and millennial initiatory ones. The Holy Tetractys (1,2,3,4) = 10 Kabbalah-, moves emanating from the Signatura rerum or Triangular Form of the Universal Principle and Divine Geometry = Lamda. '' The Golden or Sublime Triangles is an isosceles triangle and the third angles of 36 degrees ''. Stephen Skinner, linking the actions of the stars in the same substantial quality of the Mysterious Cosmological here and now. It is the sacred technique Divine Theurgy = Hiera techne. Without a doubt, Thoth-Hermes is also a Method or Philosophy of Life. It is not possible to look for the origin of the Alchemist Masters of the Stone Rose in the seventeenth century as something that '' Rises '' or becomes manifest again. ''What reappears, arises, from what already arose. '' (Gobin) Therefore, we must look in the ancients for the spiritual seed of the Ternary, and recognize that in the newest Rosicrucian current and modern, the influences of the Italian spiritual circles and currents of Naples and Tubingen; together with the "Orden der Unzertrenlichen", founded in 1577, its study is fundamental and necessary. Therefore, all Science comes by Operation of the Holy Spirit and the correspondences with Nature. Regarding this, Our Art follows the Regime of heaven for the formation of metals. It is plausible that since before the 13th century, the alchemical presence of the Triad is confirmed. ''It has been observed that the nature of metals, as we know it, is to be generated in a general way by Sulfur and Mercury '' ... '' Sulfur is, as it were, their father, and Mercury, his mother '' ... (Albert the Great = The Great, Bishop of Regensburg, Compositum de Compositis = The Compound of Compounds-, 13th century) For the Florid Master Frater Albertus Rastisbonensis, Sulfur is male and Father - of Metals - is never found in Mercury; engendering through the Mother = Mercury, prepared by the ternary contained in the Three Universal and Humid Principles of the Rose-Stone regime. The Matter of that Stone or Stone Rose say the Masters that it is found everywhere as "viscous water" and the fools, tricksters and imbeciles of the economic profit of Opus look for it ... "even in the Latrines" according to Albert the Great. It is obvious that one of the fundamental elements of the Great Work is the formal constitution of the Ternary as an explanation of the foundation and substrate-base of thought and the alchemical Tradition of Nature. '' Nature contains Nature, Nature rejoices with Nature, Nature dominates Nature and transforms into Nature. ''Let us therefore, recognizing that the Masters of the Flower followed the Golden Chain of their spiritual ancestors, they are, who indicate the allegory the enigma and internal meaning of the '' hieroglyph ''. This is undoubtedly contained in the deep iconography of the 'ascending ladder of the Lady -7-Alchemy' = Notre Dame. True alchemy is pure Sacred Theurgy. But; It is the Master Paracelsus who points out the importance of the Third Principle in the "Center of the Rock" = SALT. "They have believed that Mercury and Sulfur were the principles of all Metals, and have not even remotely mentioned the Third Principle." (Paracelsus, Thesaurus Thesaurorum Alchimistorum) It is salt water from Mercurial and Metallic water. All this in synthesis of Celestial Agriculture as a process of ascension-redemption of the Soul through the ritual purification of the Sacred Fire of the Athanor. '' However, it must not be forgotten that the earliest contexts of 'material' alchemy were not proto-scientific, but ritualistic ''... '' Alchemy was a divine art; to hieratike techne. '' (Aaron Cheak, Circumambulating The Alchemical Mysterium p.19) So alchemy is an objective-subjective practical and experimental science but; Hieratic = he is a techne of Divine nature like Don Celeste capable of transforming the Cosmos-Man = Star and Pentalpha 5. Occult Medicine and Universal Panacea = Katholikon Pharmakon. Let us remember that any definition of the Alchemical Rose evades the same since the Rose is everywhere and nowhere = Spiritus Mundi and Logos spermatikos that is washed in the blood of the Lamb. It is the writings of the Master Florido Gobin de Montluisant that open the hermetic door of the Golden Chain of Tradition through an alchemical hermeneutic of the symbols of the operating Masonic stone of the cathedral and assimilating the essence of the ancient alchemical tradition- pre-existing masonic. There is a whole presumed alchemy through alchemical symbology in the polished stones of the cathedral. Already The Florid Master Nicolás Flamel had published his: Les Figures hieroglyphiques de Nicolas Flamel being studied by Gobin among his favorite and exemplary works. (Bibliothèque des Philosophes Chimiques, Cailleau, Paris 1754, pp. 207 and following). Important to underline, that there is evidence until the 19th century of a line of racist tradition of the Montluisant family and specifically of another enigmatic Count Gobineau and his work: Essay on the Inequality of Human Races (1853-55). That gobinism was embraced by both Nietzsche and Wagner and it was Jean Finot (19140), who made it dust in his study: The Prejudice of Races. (Daniel Hammerly Dupuy, The World of the Future, pp110-111) (The Way of La Toabey) Explanation of the Alchemical Stone of the Master Florido d'Esprit Gobineau de Montluisant (Introito) Victor. A. Cabello. Reyes CR +�� About The Montluisant family see also: (Recherches historiques & genealogiques par le Géneral de Montluisant, F. Ducloz, Moutiers-Tarentaise 1891, pp. 14 - 18. The general di artiglieria de Montluisant, in Marsanne, died 1898, being a Full Member of the Société Archéologique d'Eure-et-Loir). And see: Metz - Documentos Généalogiques, armée, noblesse, magistrature, haute bourgeoisie, d'après les registres des paroisses, 1561-1792, par l'Abbé F.-J. Poirier, Lamulle & Poisson, Paris 1899, p.276.